Meadham Kirchhoff Spring/Summer 2012

Meadham Kirchhoff Spring/Summer 2012

"The late, disabled playwright John Belluso had a theory about why actors who play disabled characters often win Oscars: It is reassuring for the audience to see an actor like Daniel Day Lewis, after so convincingly portraying disability in My Left Foot, get up from his seat in the auditorium and walk to the stage to accept his award. There is a collective “Phew” as people see it was all an illusion. Society’s fear and loathing around disability, it seems, can be magically transcended."

Disability Is Not Just a Metaphor: The entertainment industry loves disabled characters—but not disabled actors

in the meantime, if we were allowed to see more representations of people with different disabilities in film, tv, pop culture and real life, that fear & loathing would dissipate, and we’d start to see disabilities as a normal part of life.

(via disabilityhistory)

#omg
  • girl: babe come over
  • boy: I can't I'm having a threesome with an older couple
  • girl: my parents aren't home
  • boy: I know

walidhani:

that’s my secret

I’m always tired

*transforms into the incredible sloth*

skaodi:

Chanel Haute Couture Spring 2008 details.

skaodi:

Chanel Haute Couture Spring 2008 details.

bohemea:

Prince for Versace by Richard Avedon, 1995

bohemea:

Prince for Versace by Richard Avedon, 1995

golfdad1992:

Isn’t amazing how people don’t give a shit about misogyny until they can accuse muslims of it in order to justify their islamaphobia?

kat-rampant:

WITCH FASHION WITH FAMILIARS I’M SO FUCKING HERE FOR THIS

daughterofargus:

socialismartnature:

Breaking via ABC News: UN Human Rights Council votes to open inquiry into alleged war crimes in Gaza; U.S. is the ONLY “no” vote.
That’s because the U.S. is a direct accomplice to every war crime that Israel commits.

I’m also intrigued by which countries voted “abstain.” Weird how the EU doesn’t seem to want to get involved …
#israel #Palestine #war crimes #genocide #ethnic cleansing

daughterofargus:

socialismartnature:

Breaking via ABC News: UN Human Rights Council votes to open inquiry into alleged war crimes in Gaza; U.S. is the ONLY “no” vote.

That’s because the U.S. is a direct accomplice to every war crime that Israel commits.

I’m also intrigued by which countries voted “abstain.” Weird how the EU doesn’t seem to want to get involved …

#israel #Palestine #war crimes #genocide #ethnic cleansing

nofreedomlove:

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Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.